50 Best Midsummer Night’s Dream Love Quotes – People are still told who they can and cannot love. Pride Month is the perfect time to see this timeless classic performed by contemporary actors at Portland Center Stage, now through July 2.

Several times (my brother was once cast as Lysander), I invited my daughter to accompany me in the Portland Center Stage version. Despite the fact that she spent the summer watching Kenneth Branagh’s A Mouse About Nothing.

50 Best Midsummer Night’s Dream Love Quotes

She immediately refused. (Twelves.) Of course, when we got home and talked about how the casting choice proves — again — love is love, she was full of regrets. He couldn’t believe he missed Jennifer Lanier (her) as Theseus, Tyler Andrew Jones (her) as Helena, Nicole Marie Greene (her) as Hermia, and Treasure Lunan (them) as Lysander. . So I splurged on party tickets for both of us as I took my baby to this show and said it was worth every penny.

Review: A Midsummer Night’s Dream, (2021)

That being said, you don’t have to spend. Portland Center Stage offers the best ticket specials in town, including pay-what-you-want shows (June 22 for this show), $25 rush-and-wait tickets, 50% off for students and guests 30 and under, $15 for military, $5 Art for All tickets for those who qualify, and even free tickets through the Multnomah County Library.

Here’s something else about this production that surprised and delighted me: Usually, the “play within a play” is my least favorite part.

; this time, it was the highlight of the evening. Comedy is hard at first, and it’s even harder when you’re speaking Elizabethan English. But the actors in this cast are so articulate that they could speak Greek and I understood them. The last time I laughed so hard at a live performance was a year ago at an improv show

A Midsummer Night’s Dream Opens — Jesse Nerenberg

When Nick Bottom and his crew performed Theseus and Hippolyta, my jaw dropped and I couldn’t believe it.

(brilliantly played – and yes, the wall and the moon can be played brilliantly, apparently – by Treasure Lunan and Jesse Weil) why I couldn’t catch my breath.

It’s hard to pick a favorite moment in this show. Was it actor Jesse Weill’s beautiful acoustic singing when he sang Titania to sleep? (By the way, the audience stopped the show to give this one a standing ovation.) Or is it a funny obstacle course when the lovers fight? Maybe it’s every time Tyler Andrew Jones opens his mouth, whether it’s Helena or Peter Quince. The comedy timing of Andy Perkins and Lunan’s Treasure deserves a mention, as I never got to see Nick Bottom or Lysander, who I loved more (apologies to my brother).

Music For A Midsummer Night’s Dream

The flared costume design by Sarita Fellows makes it easy to distinguish the characters even from a distance (most cast members play more than one part). And thanks to the stunning lighting and set design, by Karl Faber and Peter Xander respectively, the audience really cheered when the jungle was revealed. All this beauty is accompanied by creative closure, and the result is that you can take a photo at any point of this display and it can be framed.

How old does your child have to be to enjoy this show? I saw a bunch of tweens on opening night, and I plan to bring my 10-year-old. That said, there is some serious humor, and Portland Stage Center recommends the show for ages 12 and up. Even if you have a very premature 5-year-old, you should leave them at home, as children under 6 are not allowed in any PCS production. For teenagers and young adults, I recommend reading the plot summary or watching the 1999 movie before participating.

This unexpected addition to our pride celebration makes me happier than I can say. If you think your teenagers are likely to roll their eyes at the invitation to see a Shakespeare play, this might be the show to change their minds. Get tickets here.

Fifty Years Of Brook’s Dream

Meg Asby is our web editor. She is a mother of two in SW Portland and loves nothing better than a stroller from the Central Library. This was the last evening I saw a dance performance at the theater – the Joffrey Ballet at Cal Performances. That same night on the bridge, the San Francisco Ballet (SFB) was celebrating the much-anticipated return of George Balanchine.

Will return to the War Memorial stage next. But for now, SFB has chosen to present the recently filmed version of the ballet as its first program in 2021. And what a beautiful way to start the digital season!

It’s charming, good fun, fun escape. Martin Pakledinaz’s costume and set design exuded color and joy. Mendelssohn’s score marries great richness with delicate expressive dynamics. But the real triumph is how Balanchine managed to capture the ensemble essence of the story in a relatively short time – the two-act ballet lasts 1 hour and 40 minutes. Yes, there are some roles that are more involved than others, but for full delivery

A Midsummer Nights Dream Ebook By William Shakespeare

It requires a company-wide effort. One only has to look at the source material to find out. In a comedy, Shakespeare introduces many characters and narrative threads. There are weddings and those who have fun at the celebrations. Two other sets of young lovers are entwined in a passionate quadrangle. Fairies and sprites. Anesthetic flowers. Tricks, tricks and magic. Transformation from man to donkey and back. So much action, a significant cast and no spoken word – is this version of the dance up to the task? Indeed, it was, although familiarity with the play and / or the general synopsis does not hurt. Heroes interact with confidence. Each scene flows seamlessly into the next. Hopefully, the various storylines will all have a “happy” ending. An eccentric group of creatures living in the same space at the same time –

A fluid, floating ensemble of fantastical creatures, led by the butterfly Julia Rowe, transports the audience into a sylvan atmosphere and introduces us to the villainous Puck, portrayed by Cavan Conley. A trickster that contributes to most of the story’s excesses, Puck’s physical vocabulary is all exciting and joyous: double jumps, parallel pirouettes, and knee-high post-run chats. It was another victory

. Personality and character are woven into the choreography. Through Balanchine’s steps and phrases, you can see who each person is. In no time, more actors arrive, including the feuding monarchs who rule the forest, Titania and Oberon (Sasha De Sola and Esteban Hernandez). Oberon’s powerful choreography—swirls, leaps, dramatic changes of direction, and beats—is tailor-made for dancers like Hernandez, who has incredible technique and balloon. De Sola’s Titania, with its broad forms and wavy bures, shone with royalty and beauty. And partnership should be given its due. Of all

Marriage Of Bpo, Irish Classical Produces A Magical ‘midsummer Night’s Dream ‘

Different characters and couples, the ballet has its fair share of pas de deux. Corpses, soloists, directors – all performed their duets with incredible care. The partnership has consistently been strong, stable and secure. Best thing I’ve seen in a while.

Act II opens with typical wedding music and a grand wedding march. While very elegant and lavish, the main attraction of Act II is the scenes at the wedding: a dance for six couples and a pai de de. A celebratory and decorative tone pervaded both, and the group version showed accurate canonical time. Danced by Francis Chung and Ulrik Birkjaer, the main pas de deux was perfect for the wedding. From the simplest of vineyards to ethereal elevators to courtly walks, it was all about romance.

Like many companies, SFB has taken the streaming process well in hand; there were no technical glitches or hiccups to contend with. Although I will say that when the video pans back to provide a broad picture of the entire scene, it is very difficult to see much detail, both choreographic and exemplary. One aspect of the stream experience that I loved (and didn’t expect) was the chance to see the orchestra. During the introduction, the camera panned across the orchestra pit – a scene we never get to see. It was beautiful to witness how the instruments really did their dance, especially the bows in the string section.

A Midsummer Night’s Dream,’ Sprinkled With High Tech Fairy Dust

Tags: A Midsummer Night’s Dream Balanchine Cal Performances Cavan Conley COVID-19 Esteban Hernandez Francis Chung Joffrey Ballet Julia Rowe Martin Packledinaz Mendelssohn San Francisco Ballet Sasha De Sola Shakespeare Ulrik Birkjaer Memorial War Opera House

Heather Desaulniers is a freelance dance writer based in Oakland, California. She is the SF/Bay Area Editorial Associate and Reporter for CriticalDance, the Dance Curator for SF Arts Monthly, and a frequent contributor to several dance-oriented publications. Website: www.heatherdance.com

A Midsummer Night’s Dream’ Review

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