37 The Best Midsummer Night’s Dream Funny Quotes

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37 The Best Midsummer Night’s Dream Funny Quotes – As we all know, ballet lovers are a fractious bunch, more than ready to debate to the last breath over the superiority of this or that dancer, choreographer or production. And no balletomaniac discussion is more vigorous than the one that often erupts between lovers of George Balanchine and Frederick Ashton’s interpretations of Shakespeare.

. But really, how can you choose one over the other? My personal favorite is whatever I’m watching at that particular moment. Both choreographers (who created their versions only two years apart, in 1962 and 1964) seem to have been deeply moved by Mendelssohn’s irresistible score and by Shakespeare’s depiction of tenderness, jealousy and folly as in the fairy realm as well as in the human one.

37 The Best Midsummer Night’s Dream Funny Quotes

37 The Best Midsummer Night's Dream Funny Quotes

As is often the case, the New York City Ballet is closing its spring season with a series of Balanchine’s

A Midsummer Night’s Dream: Fully Dramatized Audio Edition (folger Shakespeare Library Presents): Shakespeare, William, Full Cast Dramatization: 9781442374348: Amazon.com: Books

. It is, indeed, the best way to spend the summer, eyes filled with the back view of dancing fireflies and fairies – children from the School of American Ballet – streaming across the stage. There are dozens of them, swinging their arms vigorously, running in circles, spinning on their axis, electrifying the space around the adult dancers. Like the big Christmas tree in it

37 The Best Midsummer Night's Dream Funny Quotes

So is the flexibility of the story. Where Ashton pays more attention to the details of characterization and, ultimately, takes the relationship between the fairy king and his queen – as one of his most attractive offspring – very seriously, Balanchine keeps things light. Taking Mendelssohn’s lead, he moves fluidly, seamlessly from one scene to the next, cleverly using cinematic techniques such as cuts, cuts and dissolves to keep the action moving. In the opening, he jumps from the fairy realm to the human realm, finally bringing them together for just a moment, in the last notes of the overture. Puck holds a sheet to a disgruntled Helena as she walks dejectedly through the woods. She takes the leaf – Puck remains invisible to her – and holds it to her lips lost in thought.

For Balanchine, Shakespeare’s characters are two-dimensional, exemplary, but entirely unrealistic types. They are shadows in a play of shadows, representing this or that quality: Oberon’s power, Tatiana’s charm, Puck’s shamelessness, Lysander’s inanity. The first act emphasizes rhythm and timing in the story and dance. The only exception to this frequency is the long and meaningless pas deux for Titania and her knights. But the secret of the ballet is that Balanchine saves the real emotion for the second act, after the story is told. (Ashton’s ballet contains one act, Balanchine’s two.) The setting of this second act is formal: a wedding party set to various parts of Mendelssohn. But the seemingly easy diversity culminates in a pas de deux so lucid, so subtle that it seems to encapsulate Balanchine’s deepest thoughts about love and the possibility of harmony in the universe.

37 The Best Midsummer Night's Dream Funny Quotes

Back To The Future: The Musical

Set to the Mozartean andante from Mendelssohn’s Ninth Symphony – composed when he was only fourteen! – unfolds as a long, sustained aria, repeated twice with slight variations. Both dancers are like orbiting planets. The man walks around the woman, holding her by the tips of her fingers as she spins in arabesque; meanwhile she traces smaller circles within the circumference of his path. Halfway through, they switch hands. Together, they are like the moving parts in a watch. Later, he helps her, with the lightest touch, into little dances in which her feet kiss in the air; each time, it hovers only for a moment. Finally, he lifts her from a crouched position slightly behind him, up and up until, after a moment of suspension in perfect balance, he allows her to tip forward in free fall, only to catch her at the moment of end with the other hand. . My heart catches you.

In the May 29 performance, the diversity couple (no other name in the program) was danced by Sterling Hyltin – a dancer of great delicacy, precise precision and tenderness – and Amar Ramasar. They performed the pas de deux with a gliding quality, attuned to each other’s rhythms and quality of movement. Ramasar recently returned to the company after being caught up in a scandal involving the sharing of pornographic images. Many feel he should not have been allowed to return. But his dancing here made a case for his place in society: the extreme care and concern with which he treated Hylti in this tender scene, her complete trust in him. The values ​​represented by ballet itself – its emphasis on partnership, respect and cooperation – are an example of how, ideally, people can and should treat each other. Let him show the way.

37 The Best Midsummer Night's Dream Funny Quotes

The rest of the cast was strong, led by an excellent Harrison Ball as the mischievous Puck. The bounce of the ball has wonderful clarity and power. Instead of reverting to the cool, sparkly idea of ​​Puck, he takes the role into foreign and more interesting terrain, creating beautiful angular shapes in the air and interacting with the other characters with a deadpan, almost ironic. The Emperor Oberon, traditionally danced by a shorter male dancer – the role’s originator was Edward Villella – was danced here by the young Anthony Huxley, replacing an injured Gonzalo García. The role suits him very well: noble, almost inhumanly precise, fast and elegant. The extremely difficult scherzo allows him to demonstrate every beat dance in the lexicon: brisés, split dances, bent-legged dances, entrechats, back-swinging dances. Often he seems to hover just above the floor, like a hummingbird.

Midsummer Night’s Dream Theseus Hi Res Stock Photography And Images

I found Sara Mearns’ Titatiana rather strained, more muscular than majestic and lacking the sparkle that makes this role so great in the right hands. She has a tendency to empower through choreography, often to chilling effect, but here that drive tends to obscure the details in the choreography. While the lovers, Lauren King, Erica Pereira, Lars Nelson and Daniel Applebaum had great comic timing; but it must be said that Balanchine’s choreography for them is relentless. I have never seen a bad actor. Silas Farley was a benevolent Theseus; Georgina Pazcoguin a fiery Hippolyta, excelling in both the dances and fouette turns that complete the role. Russell Janzen, as Titania’s nameless knight, danced with his usual elegance and exquisite partnering finesse. For such a tall dancer, he is also an excellent spinner, calm, relaxed and regal. Kristen Segin, the lead butterfly, fluttered and spun with enviable ease.

37 The Best Midsummer Night's Dream Funny Quotes

I wouldn’t trade the production for any other, and I feel the same way about Ashton. I promise, it’s okay to love both.

Tags A Midsummer Night’s Dream Amar Ramasar Anthony Huxley Daniel Applebaum David H. Koch Theater Edward Villella Erica Pereira Frederick Ashton George Balanchine Georgina Pazcoguin Gonzalo Garcia Harrison Ball Kristen Segin Lars Nelson Lauren King Mendelssohn. The Nutcracker New York City Ballet Russell Janzen Sara Mearns Shakespeare Silas Farley Sterling Hyltin

37 The Best Midsummer Night's Dream Funny Quotes

Los Angeles Ballet Academy Enchants Glendale With ‘a Midsummer Night’s Dream ‘

Marina Harss is a freelance dance writer and interpreter in New York. Her dance writing has appeared in the New Yorker, The Nation, Playbill, The Faster Times, DanceView, The Forward, Pointe, and Ballet Review. Her translations, which include Irène Némirovsky’s The Mirador, Dino Buzzati’s Poem Strip, and Pasolini’s Tales from the City of God, have been published by FSG, Other Press, and New York Review Books. You can check her updates on Twitter at: @MarinaHarss

Claudia Bauer | Foteini Christofilopoulou | Gay Morris | Graham Watts | Heather Desaulniers | Jann Parry | Josephine Leask Karen Greenspan | Lynette Halewood | Marina Harss | Oksana Khadarina Siobhan Murphy | Susanna Sloat | Valerie Lawson | Bruce Marriott (Ed)

37 The Best Midsummer Night's Dream Funny Quotes

The list above consists of those whose work we regularly feature and have generally contributed to in recent months.

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New York Ballet – A Midsummer Night’s Dream – New York Ballet – A Midsummer Night’s Dream – New York Ballet – A Midsummer Night’s Dream – New York Ballet Black – Costume, A Dream Within A Midsummer Night’s Dream – London Black Ballet – A Dream Within A Midsummer Night’s Dream, Limbo, Two of a Kind – London

37 The Best Midsummer Night's Dream Funny Quotes

Akram Khan (119) Alexei Ratmansky (231) American Ballet Theater (296) Bach (116) Balanchine (134) Birmingham Royal Ballet (183) Bolshoi Ballet (186) Christopher Wheeldon (248) Coliseum (185) COVID-19 ( 11) David H. Koch Theater (182) Don Quixote (155) English National Ballet (320) Frederick Ashton (286) George Balanchine (294) Giselle (245) Jerome Robbins (166) Kenneth MacMillan (275) London (1783) Marianela Nunez 114) Mariinsky Ballet (151) Natalia Osipova (141) New York (596) New York City Ballet (357) Paris Opera Ballet (136) Petipa (144) Pina Bausch (123) Rambert (121) Romeo and Juliet (223) Royal Opera House (486) Rudolf Nureyev (115) Sadler’s Wells (696) San Francisco (195) San Francisco Ballet (193) Scottish Ballet (128) Swan Lake (300) Tamara Rojo (132) Tchaikovsky (196) The Nutcracker (146) The Place (192) The Royal Ballet (676) Sleeping Beauty (140) Vadim Muntagirov (116) Wayne McGregor (201) William Forsythe (137) ‘A Midsummer Night’s Dream’ Review: Coming Up Short The Folger’s summarized ‘Midsummer Night

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